We write the scripts that get shot.

Every package in this catalogue started as a production plan, not as a story idea. We design the hook first, the structure second, and the characters third — because that is the order in which a vertical series succeeds or dies.

How we build a package

  • The engine comes first. A vertical series needs one mechanism that generates episodes indefinitely. Every script here has one, stated plainly, and everything else is built to serve it.
  • The hook map is written before the acts. The final five seconds of each episode decide whether a viewer opens the next one. We write those first for the opening ten episodes and work backwards into the structure.
  • World rules are constraints, not flavour. They exist to stop the audience asking why nobody simply explains the truth in episode three.
  • Production notes are written by someone who has to shoot it. Cast count, standing sets, swing sets, key props, budget tier and a shoot-day estimate for a 60–90 second episode format.

What is inside every package

  • Logline, premise, setting and story engine
  • World rules as hard story constraints
  • Character bible: role, voice and arc for every role
  • Relationship map
  • Three-act structure with act-by-act episode ranges
  • Turning points mapped to episode numbers
  • Episode hook map for episodes 1–10
  • Three written scene samples
  • Production notes: cast, locations, key props, budget tier, shoot estimate
  • Marketing copy you may reuse on your own platforms

Production tiers

Low

  • Two or three standing interiors
  • 5–8 speaking roles
  • 11–14 shoot days for 55–70 episodes

Mid

  • One principal set build, 1–2 location days
  • 9–12 speaking roles
  • 14–20 shoot days for 60–80 episodes

High

  • Period or high-cast productions
  • 12–16 speaking roles
  • 18–25 shoot days for 60–70 episodes

Two scripts in this catalogue are flagged High: Twice Upon a Dynasty (period costume and sets) and The Billionaire’s Hidden Heir (a child principal, which limits daily shooting hours).

Licensing in plain words

You buy a licence to use the material, not ownership of the work. You may adapt, rewrite, translate and produce it, and you may distribute the finished production. You may not resell or redistribute the script file itself, publish it as a template, or claim authorship of the underlying work. The full terms, including the extended licence, are in our Terms & Conditions.

The company

Shenzhen Wufeng Trading Co., Ltd. operates this store from Shenzhen, Guangdong, China. Orders, delivery and refunds are handled under our Refund and Returns Policy and Digital Delivery Policy.

Questions, commissions or rights enquiries: shenzwufeng@outlook.com.